To my view, some of the prizewinning 90s deciding songs (in alphabetical order) are:

BAUHAUS – SHE’S IN PARTIES FROM THE ALBUM SWING THE HEARTACHE (1998)

The darkest lateral of deciding sway is echolike in Bauhaus anthem She’s In Parties. Dominant bass chords, pure synth sounds and alarming vocals, anchored by dismal lyrics much “Freeze frame concealment kiss, hot heads under silent wigs, start guys tumble on the cutting room floor, look-a-likes start on the cutting room door” create a depressingly passionate post-punk hymn.

She’s In Parties reached # 26 on the UK Top charts.

CURE – A PLAY FOR TODAY (LIVE) FROM THE ALBUM PARIS (1992)

Explosive drums, agitated melody, disputable bass riffs, unequalled Cure bass chords, astonishing lyrics and cardinal Cure fans accompanying the melancholic, British accent vocals of Robert Smith; an absolutely amazing song, which contributed in group’s declaration as “a goth impact machine and an international phenomenon”, by New Musical Express (NME) in 1992.

GARBAGE – I THINK I’M PARANOID FROM THE ALBUM VERSION 2.0 (1999)

Powerful bass riffs, hurried drumming, disputable lyrics and unequalled vocals make I Think I’m Paranoid digit of the prizewinning songs of the 90s in some penalization genre.

The strain reached #9 in the UK Top Charts and #6 in the US Modern Rock Tracks.

GREEN DAY – BASKET CASE FROM THE ALBUM DOOKIE (1994)